Seven Secrets of Self-Made Multimillionaires


BY GRANT CARDONE | February 2, 2012
Article from http://www.entrepreneur.com/article/

First, understand that you no longer want to be just a millionaire. You want to become a multimillionaire.

While you may think a million dollars will give you financial security, it will not. Given the volatility in economies, governments and financial markets around the world, it's no longer safe to assume a million dollars will provide you and your family with true security. In fact, a Fidelity Investments' study of millionaires last year found that 42 percent of them don't feel wealthy and they would need $7.5 million of investable assets to start feeling rich.

This isn't a how-to on the accumulation of wealth from a lifetime of saving and pinching pennies. This is about generating multimillion-dollar wealth and enjoying it during the creation process. To get started, consider these seven secrets of multimillionaires.

No. 1: Decide to Be a Multimillionaire -- You first have to decide you want to be a self-made millionaire. I went from nothing—no money, just ideas and a lot of hard work—to create a net worth that probably cannot be destroyed in my lifetime. The first step was making a decision and setting a target. Every day for years, I wrote down this statement: "I am worth over $100,000,000!"

No. 2: Get Rid of Poverty Thinking - There's no shortage of money on planet Earth, only a shortage of people who think correctly about it. To become a millionaire from scratch, you must end the poverty thinking. I know because I had to. I was raised by a single mother who did everything possible to put three boys through school and make ends meets. Many of the lessons she taught me encouraged a sense of scarcity and fear: "Eat all your food; there are people starving," "Don't waste anything," "Money doesn't grow on trees." Real wealth and abundance aren't created from such thinking. 

No. 3: Treat it Like a Duty - Self-made multimillionaires are motivated not just by money, but by a need for the marketplace to validate their contributions. While I have always wanted wealth, I was driven more by my need to contribute consistent with my potential. Multimillionaires don't lower their targets when things get tough. Rather, they raise expectations for themselves because they see the difference they can make with their families, company, community and charities. 

No. 4: Surround Yourself with Multimillionaires - I have been studying wealthy people since I was 10 years old. I read their stories and see what they went through. These are my mentors and teachers who inspire me. You can't learn how to make money from someone who doesn't have much. Who says, "Money won't make you happy"? People without money. Who says, "All rich people are greedy"? People who aren't rich. Wealthy people don't talk like that. You need to know what people are doing to create wealth and follow their example: What do they read? How do they invest? What drives them? How do they stay motivated and excited? 

No. 5: Work Like a Millionaire - Rich people treat time differently. They buy it, while poor people sell it. The wealthy know time is more valuable than money itself, so they hire people for things they're not good at or aren't a productive use of their time, such as household chores. But don't kid yourself that those who hit it big don't work hard. Financially successful people are consumed by their hunt for success and work to the point that they feel they are winning and not just working. 

Related: How to Conquer Your Sales Fears

No. 6: Shift Focus from Spending to Investing - The rich don't spend money; they invest. They know the U.S. tax laws favor investing over spending. You buy a house and can't write it off. The rich, in contrast, buy an apartment building that produces cash flow, appreciates and offers write-offs year after year. You buy cars for comfort and style. The rich buy cars for their company that are deductible because they are used to produce revenue.

No. 7: Create Multiple Flows of Income - The really rich never depend on one flow of income but instead create a number of revenue streams. My first business had been generating a seven-figure income for years when I started investing cash in multifamily real estate. Once my real estate and my consulting business were churning, I went into a third business developing software to help retailers improve the customer experience.

Lastly, you may be surprised to learn that wealthy people wish you were wealthy, too. It's a mystery to them why others don't get rich. They know they aren't special and that wealth is available to anyone who wants to focus and persist. Rich people want others to be rich for two reasons: first, so you can buy their products and services, and second, because they want to hang out with other rich people. Get rich -- it's American.

Grant Cardone

Grant Cardone is an international sales expert, New York Times best-selling author, and radio show host of The Cardone Zone. He has founded three companies: Cardone Enterprises, Cardone Real Estate Holdings, and the Cardone Group. He has shared his sales and business expertise as a motivational speaker and author of five books: Sell to Survive; The Closers Survival Guide; If You're Not First, You're Last; The 10X Rule; and Sell or Be Sold. 


The author is an Entrepreneur contributor. The opinions expressed are those of the writer.

GRANT CARDONE | February 2, 2012
Article from http://www.entrepreneur.com/article/

Tributes paid to ‘inspirational’ man who founded Hitchin British Schools Museum


Laura Burge Monday, May 13, 2013 5:06 PM
Article from http://www.thecomet.net/news/


Brian Limbrick lecturing in the Gallery Classroom in 1994, the year the museum opened.

TRIBUTES have been paid to an “inspirational figure” who founded one of Comet country’s most renowned cultural attractions.

Hitchin resident Brian Limbrick died last week, aged 81.

He saved the building which is now home to Hitchin’s British Schools Museum from being sold and developed in the 1990s, and subsequently founded the museum in 1993.

The Queen Street site was a school up until the 1960s, with Mr Limbrick a former pupil.

A former Hitchin Forum and Friends of the British Schools Museum president, the grandfather of three and father of one was also awarded an MBE in 2003 for services to the history of education.

His wife of 48 years, Yvonne, said: “The MBE was the proudest moment of Brian’s life. He was thrilled and he definitely wanted to share that with the British Schools Museum.

“Brian was a people person, he loved people. He was a crusader, really. He had a number of passions and founded the Offley Morris Men. He was very, very well known for the barn dances that he did in the area and nationally. Every time he went into Lister Hospital, there would be someone come up and mention it.

“Brian loved Hitchin. He had a passion for Hitchin and subsequently a passion for the British Schools.”

Museum manager Andy Gibbs said tributes have been pouring in from across the world, with people from as far away as Mexico, Russia, South Africa and Australia paying their respects to the stalwart.

He said: “This is a very sad time for us. We owe a huge debt of gratitude to Brian.

“He was an inspirational figure with an unquenchable and infectious enthusiasm for the museum and for the town of Hitchin.

“He will never be forgotten here and will continue to be an inspiration for us as we strive to build upon his remarkable achievements.”

Hitchin Forum has also paid tribute to Mr Limbrick.

Chairman Mike Clarke said: “Brian was larger than life, and a lion who championed Hitchin.

“British Schools was his big project, and he put that on the national map, but he treasured and fought for many other parts of the town.

“As such, he was a strong supporter of Hitchin Forum from its inception, angry at anything which looked likely to spoil the town, and enthusiastically encouraging any campaign for sensible development. He had a vast store of knowledge about the history which made any conversation an education for the listener.

“We were delighted when he became our president two years ago and mourn the loss of someone who gave so much to the town.”

Mr Limbrick’s funeral will be held at 2pm tomorrow (Friday) at St Mary’s Church, Hitchin.

It’s family flowers only, but donations can be made to the Hitchin British Schools Trust.


Laura Burge Monday, May 13, 2013 5:06 PM
Article from http://www.thecomet.net/news/

A day with the Master

BenCab and Shell Support Emerging Artists
By Nickky Faustine P. De Guzman
Published: May 13, 2013
Article from http://www.mb.com.ph/article.php?aid=11657&sid=3&subid=17#.UZDNxIKKz6E

Benedicto Reyes Cabrera, famously known as BenCab, walks across his own museum sans the air of arrogance, as if the National Artist for Visual Arts in Painting has only started his career. On the contrary, he has been in the art industry for almost four decades. His BenCab Museum fittingly personifies him—creative, low key, influential, tranquil. These characteristics reflect the artist’s beautiful artworks that depict simple yet sublime masterpieces.

His brushstrokes, left, right, up, down, are easy on the eyes, colorful, sometimes black and white. His iconic pieces include his series of paintings of ‘Sabel’, a lady scavenger who marked his consciousness as a symbol of desolation and peace. For a time, BenCab’s works resonated the country’s colonial history and current state.

One of his early works recalls a vivid childhood spent in places like Sta. Cruz and Bambang in Manila, where the reality of poverty opened his eyes to social issues and possible sources of inspirations that he embodied in his painting. Take for instance, ‘Blue Serenity’, which depicted a shanty community along a river with a man on a boat.

The said piece was a second prize winner at the 12th Shell National Students Art Competition (NSAC) in 1962. During those earlier days, he used the bamboo-as-brush technique, which is reminiscent of Balinese art.

“‘Blue Serenity’ is a quiet painting,” the 71-year old reserved master painter says. Too bad the painting is not within the confines of BenCab museum. He also says he has been buying and regaining his previous artworks from other collectors.

Now, his collections range from Cordillera’s bulols, erotic paintings and sculptures, print photography, and installations that are all showcased in his museum, which stands amid the pristine and lush forest in Benguet. The four-storey art gallery serves as BenCab’s sanctuary for inspirations and other endeavors.

Currently, the still youthful-looking artist says he finds himself doing sculptures and figurines, which is a total opposite of painting that requires solo execution and seamless union of one’s own skills, muses, and hand strokes.

“Sometimes you can’t explain an artwork, you just feel it,” the soft spoken BenCab shares. “When an artwork provokes people’s emotions like in reading novels, that’s when you send the message across.”

NSAC

NSAC is the longest-running art competition in the country that started in 1952. Sponsored by Shell Philippines, it has helped produce National Artists in the likes of BenCab, Jose Joya, Ang Kiukok, and Federico Aguilar Alcuaz.

“This year, we recognize the growing sense of self and limitless creativity and passion for self-expression of Filipino artists. These manifestations, all geared toward leaving their mark on today’s fast-paced world, can help mold the consciousness of Filipinos for centuries to come—just as the work of other great masters have done,” NSAC organizers says in a statement.

The acceptance and recognition given to art these days has remarkably changed since BenCab’s time, “The art market is different from before, when it used to be difficult. Art market today is very active. Even students are having one-man shows. Now we have a realization that painting is a good investment,” BenCab says.

“If the feeling is to do art, it just happens,” he adds.

Evidently, younger and younger artists are finding their niche and slowly making a name for themselves in the art scene. Parallel to this, national competitions like NSAC are constantly searching for future artisans who will create imprints on society and will be immortalized as influencers of future artists.

Also, NSAC recently sponsored an art workshop for students and aspiring artists with none other than BenCab himself, together with moderator/artist Renato Habulan and other previous NSAC winners at the BenCab Museum. The one-day interaction was an exchange of insights between established and budding artists.

Moreover, an artist is still his own master, with own sense and style. As for BenCab, he is his own man. Perhaps, this is the lesson for the young: create an imprint, an insignia of your own, be your own master.

The 46th NSAC is looking for artists who can join in the four open-themed categories: oil/acrylic, watercolor, sculpture, and digital fine arts. Each participant can submit a maximum of two entries across all categories. Metro Manila contestants can submit their entries from July 4-6 at the Shell House, Salcedo Village, Makati. Provincial entries meanwhile can submit artworks from June 26-28 at designated Shell provincial depots and installations.

For more details check www.shell.com.ph/shell_art

Nickky Faustine P. De Guzman
Published: May 13, 2013
Article from http://www.mb.com.ph/article.php?aid=11657&sid=3&subid=17#.UZDNxIKKz6E